Doctor Who and the Android Invasion

‘Doctor Who and The Android Invasion’


Story 083
Transmitted 22 November – 13 December 1975
Written by Terry Nation

“This isn’t Earth. This isn’t real wood, it’s some sort of synthetic plastic. These are not real trees… and you’re not the real Sarah.”


Answering a call from his friend the Brigadier, the Doctor arrives in a small English village on Earth only to find that nothing is what appears to be. The town is silent until the population are delivered like cargo by a masked men dressed in space suits. Like clockwork toys, the people come to life with the chiming of the hour and go about their lives. Suspecting that some terrible force is controlling the population, the Doctor and Sarah investigate the situation, only to come under fire from the astronauts armed with built-in handguns.

The Android Invasion is one of the few non-Dalek scripts that author Terry Nation provided for Doctor Who. The opening episode is very atmospheric and evocative of 1950’s Red Scare paranoia films. The Doctor and Sarah are alone in a hostile situation where it seems that everyone is against them and the world that they thought they knew has turned upside down. The pair of travelers witness a U.N.I.T. soldier jump to his death for no apparent reason in abject horror. Something is terribly wrong, but it is unclear what has changed on Earth and how it can be halted. When it is revealed that even the Doctor’s companion and friend Sarah Jane is not herself, the drama and tension gets ramped up even more.

Is it Sarah Jane Smith or a cold-blooded killer robot?

Vintage 1975 trailer

Surviving numerous attempts on his life, the Doctor meets presumably the missing and dead astronaut Guy Crayford inside U.N.I.T. headquarters. Crayford is the only person who actually is who he appears to be, however he is in collaboration with an alien race known as the Kraal. The Kraal have developed part of an alien world into a perfect replica of the planet Earth as a training ground for their invasion of the planet using androids. It’s a very clever reveal and keeps pace with the excitement throughout the first half of the story… which is where the story falls a bit flat.

The Kraals themselves are just cardboard aliens bent on world domination. It’s something of a staple of Terry Nation’s scripts that he builds a complex system of set pieces around a rather staid premise. In this case the robot replicas and the fake town are very interesting, but the plot itself is pretty bland. The expressionless rubber masks worn by the actors playing the Kraals doesn’t help matters much nor does the fact that lead actor Tom Baker sounds as if he has lost his voice.

The Doctor (Tom Baker) is tied to a bomb

When the Doctor and Sarah manage to stow away on a space craft acting as the spearhead of the Kraal invasion, things get even worse. An android replica of the Doctor enters the mix as does a deadly virus that the Kraals plan to use as a method of wiping out the human population.

Part of Tom Baker’s second year on the program, The Android Invasion’s chief strengths is in the stunning location work, crisp direction by Barry Letts and of course the chemistry between Tom Baker and the late Elisabeth Sladen. The two work against each other beautifully here and present characters that the viewer is sympathetic to as they move through the mystery and avert danger at every turn. The threat level of Android Invasion is very high, as is the violence. The Doctor seems to be just inches away from death several times throughout this story.

Guest actor Milton Johns as Guy Crayford is a strong addition to the cast and lends credibility to the scenes in which he acts against the rubbery Kraals. His journey from frustrated traitor to hero is an enticing one and an impressive part of the story(something I wager Holmes had a hand in). A man who feels that the human race has abandoned, Crayford is furious with the human race as a whole. Rescued from death by the Kraals, he joins their side in assaulting his own planet, driven by anger and resentment. But when he finds that he has been misled, he shows his true heroic strength of character.

In my opinion, series 13 is one of the high points of classic Doctor Who. This was when producer Philip Hinchcliffe, script editor Robert Holmes and lead actor Tom Baker were firing on all cylinders. The program had proven in the previous year that it could survive the loss of the entire production crew and the lead actor only to reinvent itself into something very new, an amorphous program that moved from space opera (Planet of Evil) to Gothic horror (The Brain of Morbius) to pulp drama (The Android Invasion, The Seeds of Doom) each week. It is a magnificent era that shows the possibilities inherent in the program, something that the Tom Baker era in general excelled at. Just look at the Key to Time series and you’ll see a wealth of innovation and variation with nary a returning monster to be seen.

According to the Doctor Who Guide, this story received a 11.68 Million average audience, making it one of the more successful stories of the season based on viewing figures alone. Against the rest of series 13, The Android Invasion doesn’t stand up as well to the test of time, however. Beyond the impressive camera work and sterling direction, the story is a rather straight forward alien invasion plot, something that Doctor Who had become too sophisticated for as it strove to reach an older audience.

A commemorative fold-out poster from Dr Who Classic Comics

Nothing is what it seems…

The Android Invasion is being released in the UK on the 10th of January as part of ‘The U.N.I.T. Box’ also containing the Jon Pertwee adventure Invasion of the Dinosaurs. In the US, it is being solicited in its own. While not the strongest outing of its time, Android Invasion does have some iconic moments and thrilling action sequences that make it worth a look. If nothing else, it serves as part of a time capsule when the program was redefining itself. It’s also lovely to see Tom and Lis on screen together.

Pre-order Doctor Who - the Android Invasion on DVD

16 thoughts on “Doctor Who and the Android Invasion

  1. Although it’s easily the weakest Season 13 story, it isn’t without charm. You can’t go totally wrong with a story in which someone’s face falls off (after the gentlest of falls, they just don’t make android duplicates the way they used to) to revealing they are a boggle-eyed android! The Kraals are amusing, and Milton Johns (Milton Johns!) gets to play a sort-of hero, even if Guy is a bit thick; Milton would have a more familiarly slimy role as Kelner two seasons hence, one of the few bright spots in the fairly execrable Invasion of Time (cor blimey, stroik a light ‘ere’s a cockney Sontaran).
    Terry Nation seems to be channelling The Avengers here with a picture perfect English Village concealing dastardliness. No, it’s not very good but it would take a hard-hearted person not to laugh at the Fourth Doctor developing a love of Ginger Pop simply as a way for Nation to reveal that – ooh! – Sarah isn’t Sarah! Oh and androids throwing themselves off things in fits of existential angst! Take that Blade Runner!

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  2. Hmm… a Doctor Who story wherein at some point a companion is revealed to have been replaced by a duplicate… where have I seen this recently?

    🙂

    The more I re-watch classic Who… the more stuff in the Moffat series I am finding links to… I’ve been randomly watching things from mostly Davison, Colin Baker, and McCoy… but some links to Tom Baker stories too.

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      • I haven’t listened to any of the audio adventures… but I can’t say that would surprise me. On the one hand, it is probably good to see some of that stuff somehow incorporated into cannon via the new Doctors… on the other hand, it would be nice if those stories could be seen performed by the Doctors for whom they were written.

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      • “on the other hand, it would be nice if those stories could be seen performed by the Doctors for whom they were written.”- or of the televised versions were even remotely as good as the material they ripped off. RTD’s versions are very poor imitators of the 8th Doctor adventures and Dalek Empire audios that they imitate.

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  3. Ha! Good one, SJV. On a tangentially related note you may have noticed the Doctor regaling the child in Saturday’s episode with the silly titles of stories he supposedly was read as a child (yes, take away the mystery *grumbles*) Gatiss apparently imagined he was being funny (well he made me laugh when I saw his moustache in Doctor Who Confidential. Was it for a role… or a bet) with the title The Two Sontarans (it’s also a pun on The Two Doctors, what a card) but the last story he mentioned Seven Keys to Doomsday was an actual Doctor Who play written by Terrance “You Know” Dicks (watch any dvd “Making of” on which he appears and that phrase will become familiar!), how annoyingly pointlessly metatextual of him *heh heh* (however Dicks himself was also being a little “meta” because that title is based on a creaky old play and film called Seven Keys to Baldpate, yes, I know, I’ve fascinated you to sleep!)

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  4. Oh, and there’s a Big Finish audio version of Seven Keys, tho’ whether it has those Dalek dastards in it, I know not. Yes with me the Trivia goes on Forever (and Tedium follows – ha)

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  5. Really tangential to this thread… but I re-watched for the umpteenth time “Blink” last night, and was amazed to see how many story elements from series 5 and 6 are actually contained in that story… so it would appear Moffat is ripping off everyone… including himself!

    Seriously… re-watch Blink after having watched the new Who for a couple of years and tell me you don’t see all of the major plot points from the last 2 series contained in there… including such things as: A girl who travels in time and has a daughter that she names after her best friend, archetypes for Amy and Rory in mannerisms and appearance, events that happen out of order, and of all things a Doctor that finds himself in 1969 talking about the moon landing!

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  6. SJV, you win the the Special Prize! I had noticed that Grand Moffat Tarkin re-uses the same ideas (you can’t miss it really) but it was more in the abstract for me as I wasn’t a big enough fan to go back and re-watch Blink but you are exactly right. It’s almost blasphemy to say so but I didn’t like Blink much, I think Empty Child/The Doctor Dances is still his best Who work tho’ it isn’t perfect. That story led to a lot of “Me Too’s” in which “Everybody Lives!” in Davies Who (the opposite occurs in Parting of the Ways in which the lovely Lynda dies as well as every guest who wasn’t a recurring character, if only they’d got rid of Rose and kept Lynda but No they brought Captain Jack back. Agh!) and beyond. In fact I wish they’d do a story like Pyramids of Mars or Horror of Fang Rock, that is witty but kind of a bloodbath heh heh heh. The Girl in the Fireplace establishes more Moffat conventions (later cliches) and its many flaws and essential shallowness become – even – clearer on 2nd viewing but Blink hits the motherlode and the Vashta Nerada exhausts the seam. Are the Emperor’s New Clothes non-existent or just (wait for it…) Moff-eaten? Ahahaha. Genius or Fraud? You Decide!

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    • I am forced to admit that Moffat is crafty, though… I have seen Blink a bunch, because I actually quite like it. But I haven’t seen it since the end of Tennant’s run… and I have been bouncing around random old Who… and wanted to re-watch Human Nature/Family of Blood again which I also liked… and Blink is on the same DVD so I watched that too 🙂 And it was like being hit with a 2×4 now that we’ve had nearly 2 series of Moffat Who… because it’s like he took Blink and wrote entire episodes in series 5 and 6 based upon single lines of dialog in Blink. I suppose the two bits that really surprised me were realizing that Amy is similar to Sally Sparrow… and Rory is similar to Sally’s best friend’s brother… and that the Doctor and Martha were sent back to 1969… so it’s like Moffat is taking the few episodes he did before and spreading them out over multiple series… which leaves me a bit unsatisfied realizing that even the stuff I thought was new isn’t really new.

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  7. “This isn’t real wood. It’s some kind of synthetic plastic”. Synthetic Plastic? As opposed to Natural Plastic from those plastic mines we hear so much about?!

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  8. Oops, “sort of” not “kind of”. And I still like those lines, especially as delivered by the Great Tom Baker. Whatever else you may think of their acting, Eccleston, Tennant, and Smith simply don’t have the vocal chops that the likes of old Tom did. Their deliveries are dull in comparison but then there’s not much to savour in phrases such as “timey wimey”. There’s no joy in the words, and no real wit. “Fezzes are cool”, “Glasses are cool”, why does the Doctor have to speak like a particularly thick teenager?! Silly.

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