Batman The Dark Knight (1966)


(poster via http://www.66batman.com)

Kids today only know the grim and gravely-voiced Batman as played by Christian Bale in the two record-breaking hit films. A brutally realistic take on the comic book hero, the Chris Nolan trilogy is a far cry from the absurd shtick of William Dozer’s 1966 Batman TV series.

The TV series was wacky and bizarre, garnering high ratings on the small screen and even branching out as a feature film! A strange comedic version of the crime fighting hero, it left an indelible mark on the caped crusader removed only after Tim Burton’s 1989 film re-imagined Batman for a modern audience.  Burton’s visually stunning nightmarish vision gave way to the multi-colored Schumacher films that challenged the malleability of the character while murdering its dignity.

When Batman returned to the big screen in 2005 it was in the form of a cinematic crime noir project. The surreal Batmobile was gone (replaced by a state of the art military armored vehicle), the quirky villains were hardcore murderers and charismatic terrorists and the hero himself a tortured soul.

All of these things considered, it’s very weird to see this modern version of Batman filtered through a 1966 lens.

Recommended:

Batman: The Movie (Special Edition) (1966)

The Official Batman Batbook: The Revised Bat Edition

The Boy Who Loved Batman: A Memoir By Michael Uslan

Batman in the Sixties

Batman: Brave and the Bold: Bat-Mite Presents Batman’s Strangest Cases

The final season of Batman: The Brave and the Bold is apparently pulling out all stops. Bat-Mite Presents Batman’s Strangest Cases offered up three different versions of the Caped Crusader that, to the long-term fan, are more than familiar.

The episode begins with the classic Mad Magazine version (published in 1953), based directly on an actual strip from the glory days of the much-loved mag. Bat-Boy and Rubin pokes fun at nearly every facet of the Bat-mythos from the dark knight detective’s endless array of gadgets to his goofy villains. With no other point of reference that this was going to be an out of the ordinary episode, I wondered if someone had slipped something into my tea when I wasn’t looking!
Mad Magazine

After Bat-Mite arrives and sets the stage, it becomes clear that we are in for something unique. Batman’s biggest fan from the fifth dimension offers up wildly different versions of the much-loved hero, each one more absurd than the last.

The second part is based on the Bat-Manga, recently collected in a volume wrapped in a lovely Chip Kidd-designed cover. The style and logic are very reminiscent of Speed Racer and Gigantor… only zanier. The Bat-manga strips illustrated by Jiro Kuwata from 1966-67 were likely never conceived of as material for a cartoon, but they are ready made for the medium.

I want more!
Bat-Manga

The final and perhaps most startling portion of the episode is based on the character’s frequent appearances on the Scooby Doo series back in the 1970’s. I recall as a kid I was obsessed with Batman, an avid viewer of the Adam West series and owner of various products from Halloween costumes to bubble guns and action figures. Whenever I glimpsed my hero on Scooby Doo I would be instantly excited until I realized that Batman was apparently struck by a condition preventing him from moving aside from sequences when he would raise a hand or dash across the screen.

The Brave and the Bold segment captured every flawed detail from the ‘off’ voice to the aforementioned bad animation and even included an homage to the Super Friends host segments. The limitation on violence in Scooby Doo is even addressed and overcome, thanks to Bat-Mite’s magical abilities!
Batman and Scooby Doo

I’ve said it before and will say it again… if you are not watching this series you are missing out!

Other available products:

Bat-Manga!: The Secret History of Batman in Japan

Batman: The Brave and the Bold - Season One, Part One

Batman: The Brave and the Bold - Season One, Part Two

Batman Masterpiece Edition: The Caped Crusader's Golden Age

Kevin Conroy on providing the voice of Batman

Regarded by fans as THE voice of Batman, Kevin Conroy has added his dulcet tones to the caped crusader in the award winning Batman Animated Series and Justice League series. In a major surprise move, Conroy will be once again be acting the part of the world’s greatest detective in the upcoming animated anthology film released on DVD this summer, Batman Gotham Knight.

Below Conroy discusses his voice acting history and his unique relationship with Batman.

Kevin Conroy Discusses Voicing Title Character In DC Universe Animated Original Film “Batman Gotham Knight” Kevin Conroy had studied for and starred on the stage, advanced his career through soap operas, and was featured in television series like “Dynasty” and “Tour of Duty.” He had no idea that stepping into a sound booth in 1991 to audition for his first cartoon voiceover role would forever cement his place in the annals of animation and help to extend the Batman legacy to untold legions of fans.

Conroy quickly became the Batman voice by which all others are judged – and rarely assessed as an equal. He has cast a loud shadow in voicing the Dark Knight and Bruce Wayne for 17 years, beginning with “Batman: The Animated Series” and continuing through 16 films, video games and animated series (covering more than 220 episodes). He reprises the role in triumphant fashion in “Batman Gotham Knight,” the highly-anticipated third film in the ongoing series of DC Universe animated original PG-13 movies.

“Batman Gotham Knight” will arrive July 8, 2008 on DVD and Blu-Ray disc, and will also be available that day On Demand via digital cable and for download through broadband sites. The film is produced as a collaboration between DC Comics, Warner Premiere, Warner Home Video and Warner Bros. Animation. The film will receive its world premiere at Wizard World Chicago in late June.

From his home in New York City, Conroy spoke at length about the film, his ongoing relationship with the character, and the surprising manner in which he first approached and procured the role of Batman.

Question:
What are your impressions of the film?

Kevin Conroy:
It’s a really rich experience. The artwork in this film is so beautiful, so amazing. I love the adult-themed animated shows like “The Simpsons” and “South Park” and “King of the Hill.” I love the appeal of their writing, the irony, the sense of humor. Those are great animated productions. But you forget just how rich animation artwork can be until you see a film like this. There’s just no comparison. I’ve never seen anything like this in terms of diverse and rich animation in the industry – it’s like getting six movies in one.

The story is very interesting, especially the way it weaves in and out of Bruce Wayne’s history – like the flashback to him training in India, learning to endure pain. It’s very well conceived story and I think it enhances a lot of the Batman mythology.

I don’t think there’s any question the fans will love it, because it’s such a deep animation experience, and it gives such great background into a character they already love. It’s a very positive piece.

Question:
After three years away from the character, what were the challenges of donning the cape once again?

Kevin Conroy:
Getting back into the Batman voice was not hard – after so many years, it’s so familiar to me now that it’s like putting on an old coat. As you live with a character over the years, you fill out the skin. You don’t even realize you’re doing it. Sometimes they ask during a recording session, “What sound would Batman make here?” or “What would he say here” and they trust me to do that. They know I’ve been living with him for so long, I know what he’d say, and how he’d react.

Question:
Batman Gotham Knight has essentially 12 different looks at your characters – nine of Batman and three of Bruce Wayne, varying in design and age range. Were there any challenges to maintaining the consistency of your performance despite voicing to so many different image variations?

Kevin Conroy:
In the past, we’ve always treated the shows like a radio play – we recorded the lines and then the animation took place. This time, the artwork came first, and that made the process interesting. Sometimes the artists put extra mouth flaps in, or they made the cadence different from the way I’d usually deliver a line. So we had to work within those parameters and try to time the acting to fill the space.

Interestingly, they originally they were going to cast another actor to do the younger Bruce Wayne, and Andrea (Romano) convinced them to let me take a stab at it. I had done the younger voice in a number of the “Batman: The Animated Series” flashbacks, so Andrea knew that I could do it. And once I got into the studio and gave them a sample, they were convinced. The challenge is making the distinctions – you have to make concessions for youth and give the character the sound of a younger man, while still believably being the same guy.

Question:
At its core, this film represents several different perspectives of Batman, providing many different layers to the character. Can you discuss that range of emotions the film explores, and to what depths you reach to capture those emotions?

Kevin Conroy:
It’s that delicate balance you get in voices. As an actor, it’s still the same job – it’s acting – except that you only have your voice, and you have to be a little more precise in finding the balance. You have to keep it very minimal and you don’t want to be too cartoony, but at the same time you only have your voice to tell the story – so you have to juice it up a bit. Sometimes the hardest acting is in the non-dialogue aspects of the performance. As an example, there was one long scream when Batman is falling down a series of ladders into a pit. They recorded that over and over and over again, trying to figure out how to do it just right, and not overdue it. I had to give them lots of variations and I’m sure they picked the best one later. Overall, it was a little challenging with the different artistic styles and the different stories, but it was still Batman.

Question:
The legions of Batman animation fans have hailed you as the definitive voice of the character. How did you originally settle on that particular voice?

Kevin Conroy:
To tell the truth, after reading the original script, I really went to audition for the character voices – like Commissioner Gordon and Harvey Bullock. Like most actors, I really love to be challenged, and I thought they’d be more interesting and really push me. And then Bruce (Timm) and Andrea (Romano) said they wanted to hear me do Batman. The only exposure I’d had was the campy Adam West live-action series, and they said that wasn’t what they wanted. So I put myself into a very dark place in my voice, and my voice got deeper and darker and huskier, and it came out very mysterious. I really just took a stab at what I thought the voice would be, and then I saw Bruce and Andrea and Paul (Dini) running around the booth, so I knew I either was very good or very bad. That’s how it started — just me in a sound booth, them on the other side of the glass describing the character, and then the voice just came out of my imagination. And it worked. So initially I was much more interested in doing the character voices, but luckily they talked me into Batman.

Question:
Do you require a certain mindset to approach the voice of Batman?

Kevin Conroy:
There’s an emotional place I go to – Bruce (Timm) says he see it in me in the booth. It’s much more a psychology than just producing the sound. Batman is very complex. The Bruce Wayne voice is the real put-on. This is a guy who saw his parents murdered in front of him, and nobody would be normal and together after that. He feels like a freak inside. So to do the voice, you have to take on all that drama.

That’s why everyone relates to Batman – because everyone feels like a freak inside. Everyone has ghosts that they don’t want to show anyone else. All of us feel like we have that inside us. For me, that’s one of the most interesting aspects of the character – that a super hero would ultimately be based on that inner-freak that we all feel that we have.

Question:
In your mind, what’s special about playing Batman?

Kevin Conroy:
I think what I didn’t anticipate about voicing Batman was the fact that I was playing an icon – I just didn’t take into account how much Batman meant to so many people. Coming from a very conservative background, and not having extensive exposure to comic books and the character, it just never occurred to me. So in the beginning, I only thought of it as an acting job.

Question:
And now … you’re an icon in the Batman universe?

Kevin Conroy:
I’m always flattered that people actually know who the voices are. It seems to me such an anonymous job. But periodically, somebody recognizes me – it happened in a furniture store recently. To me, that’s truly amazing – first that someone knows who does the voice, and it’s even more amazing that someone would know the face of the voice. I think a lot of the reason that I’m so linked to Batman is because I’ve been doing it for so long. Before “Batman: The Animated Series,” there really hadn’t been a voice aside from Adam West. People knew Batman from the campy live action series, and the fans knew the Dark Knight comic books, but there hadn’t been a voice associated with the character, and certainly not a dramatic voice. I think I just lucked out because I was the one who started with it, and people grew up with that voice.

Batman Gotham Knight Premiere

Gotham Knight

DC UNIVERSE ANIMATED ORIGINAL MOVIE
BATMAN GOTHAM KNIGHT
WORLD PREMIERE SLATED FOR
JUNE 28, 2008 AT WIZARD WORLD CHICAGO

Third DC Universe Animated Original PG-13 Movie to Screen at Popular
Comics Convention; Post-Premiere Panel Planned for Filmmakers, Voice
Talent

BURBANK, CA, ( April 10, 2008 ) –DC Comics, Warner Premiere, Warner Home
Video and Warner Bros. Animation will present the World Premiere of
the DC Universe Animated Original PG-13 Movie, Batman Gotham Knight,
at Wizard World Chicago on June 28, 2008, it was announced today.

Scheduled for an evening presentation, the Batman Gotham Knight
premiere will be followed immediately by a panel featuring members of
the film crew and cast, including legendary animation producer Bruce
Timm (Superman Doomsday, Justice League: The New Frontier); acclaimed
comics writer Brian Azzarello and Emmy Award-winning television writer
Alan Burnett. Other filmmakers and voice talent are expected to
participate.

Batman Gotham Knight is a fresh and exciting new entry into the Batman
mythos, spinning out of a 40-year history in animation including the
Emmy(R)-winning Batman: The Animated Series, widely considered a
pivotal moment in American animation. A cross section of distinguished
creators, award winning producers, and acclaimed writers weave six
interlocking stories that reveal Bruce Wayne’s journey to The Dark
Knight, each with stylish art from some of the world’s most revered
animation visionaries.

Batman Gotham Knight will arrive July 8, 2008 on DVD and Blu-Ray disc,
and will also be available On Demand via digital cable and for
download through broadband sites.

DC UNIVERSE ORIGINAL MOVIES
DC Comics, Warner Premiere, Warner Home Video (WHV) and Warner Bros.
Animation (WBA) began the production and distribution of “DC
Universe,” a series of original, animated PG-13 movies in July 2006.
This original made for DVD movie is part of the DC Universe series of
animated PG-13 films written and directed by acclaimed comic book
creators and animators and featuring recognizable talent. WHV will be
the exclusive worldwide home entertainment distributor for all DC
Universe movies, which will include a slate of 2-3 action-packed films
per year. Superman Doomsday and Justice League: The New Frontier were
the first DC Universe original animated movies. Other DC properties
with films in development include Justice League, Green Lantern, Flash
and Wonder Woman.

About Warner Premiere:
Warner Premiere is Warner Bros. Entertainment’s new direct-to-consumer
production company focused on the development, production and
marketing of feature-length content, as well as short form digital
content for the growing home entertainment market. Warner Premiere is
committed to being at the creative forefront in the evolution of
quality product in the direct-to-DVD business and the digital space,
creating material that exemplifies the commitment to story, production
and brand equity for which Warner Bros. is known.

About Warner Home Video:
With operations in 90 international territories Warner Home Video, a
Warner Bros. Entertainment Company, commands the largest distribution
infrastructure in the global video marketplace. Warner Home Video’s
film library is the largest of any studio, offering top quality new
and vintage titles from the repertoires of Warner Bros. Pictures,
Turner Entertainment, Castle Rock Entertainment, HBO Home Video and
New Line Home Entertainment.

About DC Comics:
DC Comics, a Warner Bros. Entertainment Company, is the largest
English-language publisher of comics in the world and home to such
iconic characters as Superman, Batman, Wonder Woman and the Sandman.
These DC Super Heroes and others have starred in comic books, movies,
television series (both animated and live-action) and cyberspace,
thrilling audiences of all ages for generations. DC Comics’ Web site
is located at http://www.dccomics.com.

BATMAN and all related characters and elements are trademarks of and
(c) DC Comics.
( s08 )

If there are still tickets available, you may want to book that flight today! This film is looking like a real treat for fans of old long ears. While the comic is great and the movies are… sometimes fantastic, many fell for Batman after seeing the Bruce Timm Batman The Animated Series in the 1990’s.

There’s just something about this character that translates so perfectly into animation. Perhaps it’s the innocence of the long underwear hero crossed with the high drama and near-operatic level of suspense that makes Batman such an ideal character for a cartoon. Or maybe it’s the effect that Batman has on deeply talented animators. In any case, this film ‘Gotham Knight’ should whet everyone’s appetite for more Batman cartoons… more on that later.

Recommended:
Batman Animated
Batman – The Animated Series, Volume One (DC Comics Classic Collection)
Batman Beyond – Return of the Joker (The Original Uncut Version)
Justice League – The New Frontier (Two-Disc Special Edition)
Batman – Gotham Knight (Two-Disc Collector’s Edition)

Dark Knight Trailer

The official Dark Knight trailer has been posted here and is rumored to go online next morning.


In short, it looks amazing. There’s always some hesitation with sequels to successful films and to Batman movies as well. This looks like a movie that builds on the strengths of Batman Begins and delivers a blockbuster film that will satisfy fans of the character as well as movie goers who just want to see a great comic book movie.

The trailer depicts Gotham City turned into a war zone and an enigmatic super criminal known as the Joker arrives to add fuel to the fire. This is the Joker that we always wanted to see, a maniacal crime boss who dares Batman to a showdown while spreading chaos and destruction throughout the city… not a foppish clown ruining a parade featuring Prince music (not that I’m biased).

The trailer also insinuates a moral dilemma that Batman must face which was introduced at the conclusion of Batman Begins. In the final scene, Gordan tells the Dark Knight that this emergence of super criminals is a reaction to Batman himself. For every strength that he possesses, his adversaries must rise to the challenge in kind. Caught in the crossfire of this conflict, the innocents of Gotham suffer.

This kind of dilemma, to my knowledge, is new to comic book movies and action films as well. The antithesis of Sean Connery‘s great line in The Untouchables ‘they send one of ours to the hospital, we send them to the morgue!’, it acknowledges the dangers of violence in a rather mature way.

In the trailer, Batman‘s confidant Alfred urges him to the better man while the Joker urges on the mayhem with glee as the body count no doubt rises.

If the film is a tenth as good as this trailer, we may be up for the best comic book movie since Spider-Man 2.

Trailer below: