Beware the Batman!

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A new updated CG animated Batman cartoon is on the way. Using a similar style seen in the Green Lantern cartoon, this modern take will be a very different vision of the caped crusader. For those fearing that it will stray too far from the classic Batman style, be assured that comic book legend Len Wein (of Swamp Thing, Uncanny X-Men and Batman) will be working on this series and has promised that it will be a knock out.

Personally, I’m still feeling the loss of Young Justice and this series looks a bit too hip and edgy for my taste, but that was the reaction many had to The Batman which I enjoyed. I’ll hold on judgement until I can see the finished product.

Via Newsarama:

“A cool, new take on the classic Dark Knight franchise, Beware the Batman incorporates Batman’s core characters with a rogues gallery of new villains not previously seen in animated form. Along with backup from ex-secret agent Alfred and lethal swordswoman Katana, the Dark Knight faces the twisted machinations of Gotham City’s criminal underworld led by the likes of Anarky, Professor Pyg, Mister Toad and Magpie. Produced by Warner Bros. Animation (WBA), this action-packed detective thriller deftly redefines what we have come to know as a ‘Batman show.’ WBA’s Sam Register serves as executive producer, with Glen Murakami (Batman Beyond) and Mitch Watson (Scooby-Doo! Mystery Inc.) producing.

“Starring Anthony Ruivivar (Banshee) as Batman/Bruce Wayne, Beware The Batman boasts a stellar voice cast with JB Blanc (The Count of Monte Cristo) as Alfred and Sumalee Montano (ER) as Katana. Lending voices to the villains are Wallace Langham (CSI: Crime Scene Investigation) as Anarky, Grey DeLisle (Green Lantern: The Animated Series) as Magpie, Udo Kier (Scooby-Doo! Mystery Inc.) as Mr. Toad, Lance Reddick (Fringe) as Ra’s al Ghul and Brian George (The Big Bang Theory) as Professor Pyg.”

BRUCE WAYNE:

A Richard Branson type billionaire adventurer with a twist: he’s fixated on crime. So much so that he sees it everywhere, giving him the ability to predict criminal behavior and piece together clues like a modern day Sherlock Holmes. But this ability came with it’s own price. It isolated Bruce, and since he is famous, dealing with crime as Bruce Wayne was out of the question. So he created The Batman.

THE BATMAN:

A vigilante hero born of darkness that can carry out what Bruce Wayne can’t. Batman is Bruce Wayne’s release valve. Batman keeps Bruce in balance. They even refer to each other as separate people. But make no mistake: Bruce and Batman are two sides of one man, and they need each other to survive.

ALFRED PENNYWORTH:

A former British MI-6 operative now retired. Wise, good with his fists, and not to be trifled with. A father figure and mentor to Bruce. But Alfred is getting older. Won’t be there forever so he’s bringing in someone he can trust who can look after Bruce.

TATSU “KATANA” YAMASHIRO:

Former CIA, she is also Alfred’s goddaughter, and the child of his late MI-6 partner. Although she is cold and meticulous with a sword, Katana is not good at controlling her emotions. Despite being hired as Bruce Wayne’s bodyguard, it soon becomes clear that her real value is as Batman’s protégé.

Green Lantern: The Animated Series Premieres 11/11

The emerald guardian of the space ways will arrive in style, starring in his own animated series. The first computer generated program from Batman: The Animated Series, Superman and Justice League animator Bruce Timm, this should be quite the event.

Series producer Giancarlo Volpe spoke to Newsarama about Green Lantern: The Animated Series, his history with comics and what fans can expect from this ground breaking cartoon.

Newsarama: Giancarlo, you’ve worked on plenty of different animated series, but Green Lantern: The Animated Series is your first one that’s strictly comic book-based. Were you pretty well versed in the medium, or did this project require some amount of research?

Giancarlo Volpe: A little bit of both. I was really into comics when I was younger — early teens. My brother and I used to collect comics, and we would share them with each other so we could save on spending. [Laughs.]

I kind of lost track of it over the years; I’m not sure why. In recent years, especially with all these superhero movies are coming out, it’s really hit that nostalgia for me. I wasn’t the biggest Green Lantern fan. To be honest, I didn’t know a lot. Thankfully, a friend of mine told me, if you’re going to read Green Lantern, read the Geoff Johns stuff. So I ordered all of those graphic novels on Amazon and kind of caught up. It was actually really cool because of the way he sort of started with Hal’s origin, and then introduced all this color spectrum stuff. It was such a great introductory course to Green Lantern. I feel like a lot of what I get inspiration from is from those books.

Nrama: And very direct inspiration, it seems, as the Red Lanterns — who have only been around in the comic books for about four years — are the main villains for the first season. What motivated that decision?

Volpe: I guess that partially had something to do with the fact that Geoff Johns is so involved with DC creative right now. When I was brought on for this project, it was already sort of decided that it would be Red Lanterns, but I wouldn’t be if surprised if Geoff maybe made that suggestion. I actually really kind of believe in keeping it modern and keeping it current. If we would have gotten a little too nostalgic, then I think that the show would have contradicted the comics, or felt like a different world. The ideal is that kids will watch the show and see Atrocitus and Zilius Zox as Red Lanterns, and Kilowog as a green, and hopefully fall in love with them, and then they can go to the comics and see further adventures — and vice versa.

Nrama: What’s the typical breakdown, then, of space versus Earth scenes for the series?

Volpe: I think Bruce [Timm] was really pushing for that. He’s been doing the superhero stuff for so long that he was kind of tired of Gotham and Metropolis and all that stuff, and was like, “Man, I just want to be on crazy planets where trees are purple and upside down.” The funny thing is that I was doing that for three years on Clone Wars, so for me I was a little bit like, “Oh, more space exploration, I guess.” [Laughs.]

It’s actually really fun. It’s very liberating; you can do anything within the budget. Like 95 percent of it takes place in space. We wanted to set up Hal as a human like any of us, who just happens to get whisked away on this much bigger universe and existence.

Nrama: So did the large amount of space scenes affect the decision to make this the first CGI-animated series based on a DC comic book?

Volpe: There’s this misunderstand on the Internet that CG is less expensive than traditional, and that’s actually really not the case at all. CG is actually — I would say, ballpark, twice as expensive as traditional. It’s quite an investment and a commitment to decide to do a show in CG. But the beauty of CG was obviously that you can get very dynamic lighting, and you can get very dynamic camera angles, and I think that lighting and camera angles can really make a sci-fi show soar.

One of the challenges, though, is that in CG you actually have to be very prudent with how many models you build. Every character, every set, every prop is money. We have to kind of tell these stories very economically, which is one of the Catch-22s — the very nature of the show is that they go planet to planet and explore these entirely different civilizations, entirely different species, and so every time that happens we have to create this new set, this new planet, and this new species. It can be challenging, for sure.

Nrama: Given that, can viewers expect to see the rest of the color spectrum beyond Green and Red Lanterns at some point?

Volpe: To me, just the fact that if you make a show about Green Lanterns, and you say there are Red Lanterns, even a five-year-old kid would go, “Well, are there Blue Lanterns?” It just seems like a natural question people would ask.

That stuff gets weaved in. Sinestro is a little bit of a tricky thing because we were asked not to use him very much at the time we were developing the show, because at that time his destiny wasn’t completely decided in how they wanted to play him in the future. Now that I’ve seen it, and the final scene is pretty obvious what’s going to happen to with him — that may give us some license in the future to get him.

Nrama: What about the other human Green Lanterns — Kyle Rayner, Guy Gardner and John Stewart?

Volpe: Someone asked me that at Comic-Con, and my response was basically, “As long as the show is a hit, and it keeps going, sure.” I would imagine we would have to at some point.

With the CG restrictions, we have this very short wishlist of who we actually bring onto the show. We can’t just load it up with every human Green Lantern — but we would like to. And I understand that everyone has their favorite. It’s definitely on our radar.

Nrama: It seems like a natural thing to incorporate, especially given how John Stewart was the main Green Lantern in the Justice League cartoon.

Volpe: Yeah. Even Bruce has a particular affinity for John Stewart. It could happen.

Nrama: Wanted to ask about voice acting a little bit — Josh Keaton is Hal Jordan, who is known to comic book fans as Peter Parker in Spectacular Spider-Man. What made him right for the role?

Volpe: When we were auditioning it wasn’t really going across our minds, “Do we want Spider-Man to play Green Lantern?” Honestly, the audition was just like anything else, where we’re just trying people out, and seeing who gets the jokes, who delivers them naturally, who gets the subtle stuff that’s going on in the writing the best, who sounds likeable.

Josh just really stood out. I would say that the biggest difference between Peter Parker and Hal Jordan is that if Peter Parker is sort of a nerd, Hal Jordan is kind of a jock. Josh does both well. I’ve come to know him a lot better over the year, and he’s got both sides of him. He’s got this geeky side to him that really likes superhero stuff, but he’s also sort of got a little bit of this charming cockiness to him. I think that comes through. I like that there’s a little bit of vulnerability in his delivery, he’s not totally cocky, he’s not just one-note. He’s very well-rounded.

(read the entire interview here)

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Official Press Release

“Beware My Power…Green Lantern’s Light”

Based upon the DC Comics super hero, GREEN LANTERN: THE ANIMATED SERIES follows Earth’s Green Lantern, Hal Jordan, who is used to being in dangerous situations — but never anything like this! In the farthest reaches of deep space, Hal patrols the Guardian Frontier, where he must face down invasions from the evil Red Lantern Corps., who have sworn to destroy the Green Lanterns and everything they stand for. With ever-emerging galactic threats, Hal is soon joined by an all-new group of heroes on a mission to protect Guardian Space — and the Green Lantern Corps itself!

In the first part of the two-part series premiere episode, ace test pilot Hal Jordan (voiced by JOSH KEATON), who leads a secret life as Earth’s guardian Green Lantern, is called back to Oa. Searching for the culprits behind a series of Green Lantern deaths in “Frontier Space”, Hal and his gruff fellow Green Lantern Kilowog (voiced by KEVIN MICHAEL RICHARDSON) “commandeer” The Interceptor, a prototype spaceship powered by pure Green Lantern energy and an advanced artificial intelligence system that Hal names Aya (voiced by GREY DeLISLE).

In the second half of the two-part series premiere episode, Hal and Kilowog discover that a group of Red Lanterns, including the conflicted Razer (voiced by JASON SPISAK) and the vile Zilius Zox (voiced by TOM KENNY) have been targeting and eliminating Green Lanterns in Frontier Space. Along with the help from a surviving Frontier Space Green Lantern Shyir Rev (voiced by KURTWOOD SMITH), Hal and Kilowog must stop the Red Lantern leader Atrocitus (voiced by JONATHAN ADAMS) from destroying Shyir’s home planet of Colony 12.

Green Lantern: The Animated Series premieres this Friday, November 11 7/6c on Cartoon Network.

Brave and the Bold cartoon is coming!

Headed by producer James Tucker (Justice League, Legion of Superheroes, etc), this latest Batman cartoon series promises to be something new that has not been tried since the 60’s… fun.
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Loosely based on the totally mad team-up comic book series by Bob Haney and Jim Aparo (one issue featured the Flash rescuing Bats from following his father’s path toward demonology), Brave and the Bold will see a new and lighter version of Batman joining forces with numerous DC Universe super heroes. Everyone from Aquaman to Red Tornado and even the Outsiders will get screen time in this new series. Rather than trying to re-invent the wheel or try and outdo the previous Batman cartoons, Tucker sees Brave and the Bold as a brand new chapter.

“The flavor of ‘Batman: The Brave & The Bold’ is Batman on everyone else’s turf,” Tucker said. “It’s Batman in outer space. Batman under the sea. Batman in another dimension. Batman in the past. Batman in the future. So it was pretty much Batman fitting into any environment and still being cool. It’s a lot more fantasy-based than the more gritty, realistic versions of Batman that have come before.”

“With ‘Brave & The Bold’ we’re just starting from scratch. There’s no connection to any of those earlier shows,” Tucker confirmed. “The show itself is simple. I equate it to a ‘60s ‘Space Ghost’ show where there wasn’t any continuity from episode to episode. You didn’t have to see anything else to enjoy the episode you were watching. It was more episodic that way. But, we do have a group of characters that we do repeat. So Blue Beetle reappears, and every time he reappears, we learn more about him and his relationship with Batman. The same with Aquaman and The Outsiders and Green Arrow — they’re kind of our core group of characters that reappear, but between them we have these one off characters and fan favorites. There are certain characters that don’t require more than one or two appearances.”

I had my doubts at first but now I am just very excited to see where this program will go. The artwork looks to be in the flavor of classic artist Dick Sprang, making the feel of the series abstract and absurd. With the release of the Dark Knight DVD just around the corner, the Nov 14th premiere of this new series may seem confusing. In the movie Batman is a brooding gnarled-voiced vigilante, in the cartoon he shares screen-time with Plastic Man against gun-toting talking monkeys.

But who said we cannot have both?
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Batman Brave and the Bold strikes the small screen on Cartoon Network on November 14th, make sure to clear it in your schedule as Bat-Time. Stop by the official website to check out character bios and play the mini-game teaming Batman up with the Blue Beetle against the space pirate Kanjar-Ro.
Recommended:

Kevin Conroy on providing the voice of Batman

Regarded by fans as THE voice of Batman, Kevin Conroy has added his dulcet tones to the caped crusader in the award winning Batman Animated Series and Justice League series. In a major surprise move, Conroy will be once again be acting the part of the world’s greatest detective in the upcoming animated anthology film released on DVD this summer, Batman Gotham Knight.

Below Conroy discusses his voice acting history and his unique relationship with Batman.

Kevin Conroy Discusses Voicing Title Character In DC Universe Animated Original Film “Batman Gotham Knight” Kevin Conroy had studied for and starred on the stage, advanced his career through soap operas, and was featured in television series like “Dynasty” and “Tour of Duty.” He had no idea that stepping into a sound booth in 1991 to audition for his first cartoon voiceover role would forever cement his place in the annals of animation and help to extend the Batman legacy to untold legions of fans.

Conroy quickly became the Batman voice by which all others are judged – and rarely assessed as an equal. He has cast a loud shadow in voicing the Dark Knight and Bruce Wayne for 17 years, beginning with “Batman: The Animated Series” and continuing through 16 films, video games and animated series (covering more than 220 episodes). He reprises the role in triumphant fashion in “Batman Gotham Knight,” the highly-anticipated third film in the ongoing series of DC Universe animated original PG-13 movies.

“Batman Gotham Knight” will arrive July 8, 2008 on DVD and Blu-Ray disc, and will also be available that day On Demand via digital cable and for download through broadband sites. The film is produced as a collaboration between DC Comics, Warner Premiere, Warner Home Video and Warner Bros. Animation. The film will receive its world premiere at Wizard World Chicago in late June.

From his home in New York City, Conroy spoke at length about the film, his ongoing relationship with the character, and the surprising manner in which he first approached and procured the role of Batman.

Question:
What are your impressions of the film?

Kevin Conroy:
It’s a really rich experience. The artwork in this film is so beautiful, so amazing. I love the adult-themed animated shows like “The Simpsons” and “South Park” and “King of the Hill.” I love the appeal of their writing, the irony, the sense of humor. Those are great animated productions. But you forget just how rich animation artwork can be until you see a film like this. There’s just no comparison. I’ve never seen anything like this in terms of diverse and rich animation in the industry – it’s like getting six movies in one.

The story is very interesting, especially the way it weaves in and out of Bruce Wayne’s history – like the flashback to him training in India, learning to endure pain. It’s very well conceived story and I think it enhances a lot of the Batman mythology.

I don’t think there’s any question the fans will love it, because it’s such a deep animation experience, and it gives such great background into a character they already love. It’s a very positive piece.

Question:
After three years away from the character, what were the challenges of donning the cape once again?

Kevin Conroy:
Getting back into the Batman voice was not hard – after so many years, it’s so familiar to me now that it’s like putting on an old coat. As you live with a character over the years, you fill out the skin. You don’t even realize you’re doing it. Sometimes they ask during a recording session, “What sound would Batman make here?” or “What would he say here” and they trust me to do that. They know I’ve been living with him for so long, I know what he’d say, and how he’d react.

Question:
Batman Gotham Knight has essentially 12 different looks at your characters – nine of Batman and three of Bruce Wayne, varying in design and age range. Were there any challenges to maintaining the consistency of your performance despite voicing to so many different image variations?

Kevin Conroy:
In the past, we’ve always treated the shows like a radio play – we recorded the lines and then the animation took place. This time, the artwork came first, and that made the process interesting. Sometimes the artists put extra mouth flaps in, or they made the cadence different from the way I’d usually deliver a line. So we had to work within those parameters and try to time the acting to fill the space.

Interestingly, they originally they were going to cast another actor to do the younger Bruce Wayne, and Andrea (Romano) convinced them to let me take a stab at it. I had done the younger voice in a number of the “Batman: The Animated Series” flashbacks, so Andrea knew that I could do it. And once I got into the studio and gave them a sample, they were convinced. The challenge is making the distinctions – you have to make concessions for youth and give the character the sound of a younger man, while still believably being the same guy.

Question:
At its core, this film represents several different perspectives of Batman, providing many different layers to the character. Can you discuss that range of emotions the film explores, and to what depths you reach to capture those emotions?

Kevin Conroy:
It’s that delicate balance you get in voices. As an actor, it’s still the same job – it’s acting – except that you only have your voice, and you have to be a little more precise in finding the balance. You have to keep it very minimal and you don’t want to be too cartoony, but at the same time you only have your voice to tell the story – so you have to juice it up a bit. Sometimes the hardest acting is in the non-dialogue aspects of the performance. As an example, there was one long scream when Batman is falling down a series of ladders into a pit. They recorded that over and over and over again, trying to figure out how to do it just right, and not overdue it. I had to give them lots of variations and I’m sure they picked the best one later. Overall, it was a little challenging with the different artistic styles and the different stories, but it was still Batman.

Question:
The legions of Batman animation fans have hailed you as the definitive voice of the character. How did you originally settle on that particular voice?

Kevin Conroy:
To tell the truth, after reading the original script, I really went to audition for the character voices – like Commissioner Gordon and Harvey Bullock. Like most actors, I really love to be challenged, and I thought they’d be more interesting and really push me. And then Bruce (Timm) and Andrea (Romano) said they wanted to hear me do Batman. The only exposure I’d had was the campy Adam West live-action series, and they said that wasn’t what they wanted. So I put myself into a very dark place in my voice, and my voice got deeper and darker and huskier, and it came out very mysterious. I really just took a stab at what I thought the voice would be, and then I saw Bruce and Andrea and Paul (Dini) running around the booth, so I knew I either was very good or very bad. That’s how it started — just me in a sound booth, them on the other side of the glass describing the character, and then the voice just came out of my imagination. And it worked. So initially I was much more interested in doing the character voices, but luckily they talked me into Batman.

Question:
Do you require a certain mindset to approach the voice of Batman?

Kevin Conroy:
There’s an emotional place I go to – Bruce (Timm) says he see it in me in the booth. It’s much more a psychology than just producing the sound. Batman is very complex. The Bruce Wayne voice is the real put-on. This is a guy who saw his parents murdered in front of him, and nobody would be normal and together after that. He feels like a freak inside. So to do the voice, you have to take on all that drama.

That’s why everyone relates to Batman – because everyone feels like a freak inside. Everyone has ghosts that they don’t want to show anyone else. All of us feel like we have that inside us. For me, that’s one of the most interesting aspects of the character – that a super hero would ultimately be based on that inner-freak that we all feel that we have.

Question:
In your mind, what’s special about playing Batman?

Kevin Conroy:
I think what I didn’t anticipate about voicing Batman was the fact that I was playing an icon – I just didn’t take into account how much Batman meant to so many people. Coming from a very conservative background, and not having extensive exposure to comic books and the character, it just never occurred to me. So in the beginning, I only thought of it as an acting job.

Question:
And now … you’re an icon in the Batman universe?

Kevin Conroy:
I’m always flattered that people actually know who the voices are. It seems to me such an anonymous job. But periodically, somebody recognizes me – it happened in a furniture store recently. To me, that’s truly amazing – first that someone knows who does the voice, and it’s even more amazing that someone would know the face of the voice. I think a lot of the reason that I’m so linked to Batman is because I’ve been doing it for so long. Before “Batman: The Animated Series,” there really hadn’t been a voice aside from Adam West. People knew Batman from the campy live action series, and the fans knew the Dark Knight comic books, but there hadn’t been a voice associated with the character, and certainly not a dramatic voice. I think I just lucked out because I was the one who started with it, and people grew up with that voice.

Batman Brave and the Bold Animated

One door closes and another opens, as they say. With the ending of the critically acclaimed of The Batman cartoon, Warner Bros. has announced the next animated series, The Brave and The Bold.

Started in 1955 and run until 1983 as a team-up series, the formula of Brave and the Bold cemented into place as a Batman and Guest comic. With writer Bob Haney and artist Jim Aparo, the series was a more light-hearted and bizarre take on Batman than had been seen previously. Stories ran the gamut of demonic possession to premonitions of Batman‘s death by Adam Strange. A cult favorite, Brave and the Bold teamed Batman up with Green Arrow, Metamorpho, Sgt. Rock and many many more.

From the preview image, it looks like this new animated series looks to embrace this lighter tone of the classic comic book series.

The new series premieres on Cartoon Network March 2009.

Batman Gotham Knight Premiere

Gotham Knight

DC UNIVERSE ANIMATED ORIGINAL MOVIE
BATMAN GOTHAM KNIGHT
WORLD PREMIERE SLATED FOR
JUNE 28, 2008 AT WIZARD WORLD CHICAGO

Third DC Universe Animated Original PG-13 Movie to Screen at Popular
Comics Convention; Post-Premiere Panel Planned for Filmmakers, Voice
Talent

BURBANK, CA, ( April 10, 2008 ) –DC Comics, Warner Premiere, Warner Home
Video and Warner Bros. Animation will present the World Premiere of
the DC Universe Animated Original PG-13 Movie, Batman Gotham Knight,
at Wizard World Chicago on June 28, 2008, it was announced today.

Scheduled for an evening presentation, the Batman Gotham Knight
premiere will be followed immediately by a panel featuring members of
the film crew and cast, including legendary animation producer Bruce
Timm (Superman Doomsday, Justice League: The New Frontier); acclaimed
comics writer Brian Azzarello and Emmy Award-winning television writer
Alan Burnett. Other filmmakers and voice talent are expected to
participate.

Batman Gotham Knight is a fresh and exciting new entry into the Batman
mythos, spinning out of a 40-year history in animation including the
Emmy(R)-winning Batman: The Animated Series, widely considered a
pivotal moment in American animation. A cross section of distinguished
creators, award winning producers, and acclaimed writers weave six
interlocking stories that reveal Bruce Wayne’s journey to The Dark
Knight, each with stylish art from some of the world’s most revered
animation visionaries.

Batman Gotham Knight will arrive July 8, 2008 on DVD and Blu-Ray disc,
and will also be available On Demand via digital cable and for
download through broadband sites.

DC UNIVERSE ORIGINAL MOVIES
DC Comics, Warner Premiere, Warner Home Video (WHV) and Warner Bros.
Animation (WBA) began the production and distribution of “DC
Universe,” a series of original, animated PG-13 movies in July 2006.
This original made for DVD movie is part of the DC Universe series of
animated PG-13 films written and directed by acclaimed comic book
creators and animators and featuring recognizable talent. WHV will be
the exclusive worldwide home entertainment distributor for all DC
Universe movies, which will include a slate of 2-3 action-packed films
per year. Superman Doomsday and Justice League: The New Frontier were
the first DC Universe original animated movies. Other DC properties
with films in development include Justice League, Green Lantern, Flash
and Wonder Woman.

About Warner Premiere:
Warner Premiere is Warner Bros. Entertainment’s new direct-to-consumer
production company focused on the development, production and
marketing of feature-length content, as well as short form digital
content for the growing home entertainment market. Warner Premiere is
committed to being at the creative forefront in the evolution of
quality product in the direct-to-DVD business and the digital space,
creating material that exemplifies the commitment to story, production
and brand equity for which Warner Bros. is known.

About Warner Home Video:
With operations in 90 international territories Warner Home Video, a
Warner Bros. Entertainment Company, commands the largest distribution
infrastructure in the global video marketplace. Warner Home Video’s
film library is the largest of any studio, offering top quality new
and vintage titles from the repertoires of Warner Bros. Pictures,
Turner Entertainment, Castle Rock Entertainment, HBO Home Video and
New Line Home Entertainment.

About DC Comics:
DC Comics, a Warner Bros. Entertainment Company, is the largest
English-language publisher of comics in the world and home to such
iconic characters as Superman, Batman, Wonder Woman and the Sandman.
These DC Super Heroes and others have starred in comic books, movies,
television series (both animated and live-action) and cyberspace,
thrilling audiences of all ages for generations. DC Comics’ Web site
is located at http://www.dccomics.com.

BATMAN and all related characters and elements are trademarks of and
(c) DC Comics.
( s08 )

If there are still tickets available, you may want to book that flight today! This film is looking like a real treat for fans of old long ears. While the comic is great and the movies are… sometimes fantastic, many fell for Batman after seeing the Bruce Timm Batman The Animated Series in the 1990’s.

There’s just something about this character that translates so perfectly into animation. Perhaps it’s the innocence of the long underwear hero crossed with the high drama and near-operatic level of suspense that makes Batman such an ideal character for a cartoon. Or maybe it’s the effect that Batman has on deeply talented animators. In any case, this film ‘Gotham Knight’ should whet everyone’s appetite for more Batman cartoons… more on that later.

Recommended:
Batman Animated
Batman – The Animated Series, Volume One (DC Comics Classic Collection)
Batman Beyond – Return of the Joker (The Original Uncut Version)
Justice League – The New Frontier (Two-Disc Special Edition)
Batman – Gotham Knight (Two-Disc Collector’s Edition)